| C., Elisabeth | ||
| Twelve Original Waltzes for the Piano Forte | 1814 | |
| Caccini, Francesca | ||
| La liberazione de Ruggiero dall'isola d'Alcina | 1625 | |
| Il Primo Libro delle musiche a una, e due voci | 1618 | |
| Tavola | ||
| Cafson, Margret | ||
| The Cookoo | ||
| Campana, Francesca | ||
| Aire a una, due, e tre voci | 1629 | |
| Campbell, Agnes M | ||
| Spring Returns | ||
| Campbell, Caroline | ||
| Two sonatas, six songs and some English airs with variations and an accompaniment for the harp | 1778 | |
| Cantelo, Anne | ||
| Werte's Sonnet | 1801 | |
| Cecile, Jeanne | ||
| Concerto Per Forte Piano con due violini, due oboe, due corni, violetta et basso | 1783 | |
| Charriére, Isabella Agneta Elisabeth de | ||
| Airs et romances avec accmpagnement de clavicin | 1789 | |
| Par...Trois Sonates - Oeuvre I, Poix. 3th | 1783 | |
| Par...Trois Sonates - Oeuvre II, Poix. 3th | 1783 | |
| Chouquet, L. | ||
| Galop Brillant | 1851 | |
| Clarke | ||
| Captain Bell | ||
| Coccia, Maria Rosa | ||
| Hic vir despiciens mundum | 1774 | |
| Colbran, Isabelle Angela | ||
| Six petits aires italiens avec paroles françaises et accompaniment de piano ou harp | c1810 | |
| Cosway, Maria | ||
| Deux Sonates le Calvencin and Violin | 1787 | |
| Deux sonates pour le calvencin, avec un miolon, arrangées puor deux | 1787 | |
| Duex sonates pour le clavecin, avec un violen, arrangées pour deux | 1785 | |
| Songs and Duets | ||
| Cowell, A. | ||
| The Lonely Harp | ||
| Cozzolani, Chiara Margarita | ||
| sacri à une, due, et quattro voci con una messa - voce | 1642 | |
| Scherzi di sacra melodia a voce sola | 1648 | |
| Crouch, Anna Maria | ||
| Go, You May Call It Madness, Folly | ||
| Cumberland, Mrs. William | ||
| Ten Canzonets for a single voice with an accompaniment for the harp or piano forte | 1797 | |
| Darion | ||
| Douze Airs avec accompagnement de forte piano, ou de harpe | 1800 | |
| Dashkova, Ekaterina Romanovna | ||
| Recueil des Airs | 1777 | |
| Davis | ||
| Ruth | ||
| de Lannoy de Clerveaux, La Comesfe | ||
| Romances | ||
| De Münck, Rosalbina | ||
| La Plus Folie | ||
| Demars, Hélène-Louise | ||
| Hercule et Omphale | 1751-1752 | |
| Les avantages du buveur | 1751-1752 | |
| Desfossez, Françoise Elizbeth | ||
| Trois sonates pour le pianoforte avec accompagnement de violon obligè et de violoncelle ad libitum | 1798 | |
| Dison, Eliza | ||
| Denmark Hymn | 1821-24 | |
| Easter Hymn | 1821-24 | |
| Evening Hymn | 1821-24 | |
| Go Where Glory Waits Thee | 1821-24 | |
| Home! Sweet Home! | 1821-24 | |
| Hymn, by the Rev. Mason | 1821-24 | |
| The Complete Instructor for the Harpsichord or Piano-Forte | 1821-24 | |
| Caller Herrings | 1821-24 | |
| Caractacus | 1821-24 | |
| General Shutnsoff | 1821-24 | |
| Hamburg Waltz | 1821-24 | |
| Huntsman's Chourus in Den Freis Chuty | 1821-24 | |
| New Wanor | 1821-24 | |
| The Bridal Song, Sung by Mifs Povey in Dir Freishutz | 1821-24 | |
| Unamed Piece | 1821-24 | |
| Aria Trian Miltary Waltz | 1821-24 | |
| oh Listen, Listen to the Voice of Loave | 1821-24 | |
| The Complete Instructor for the Harpsichord or Piano-Forte | 1821-24 | |
| unnamed piece | 1821-24 | |
| The Harmonious Blacksmith | ||
| Du Fresnoy | c1800 | |
| A Favorite Sonata composed for the Harp, or Piano | ||
| Six Piano Pieces for small hands (cover only) | ||
| Dufresne, Fidèle | 1800 | |
| Deuxième Pot-pourri d'Airs Variésbpour Violon, avec accompagnement de Violon et Basse | ||
| Dussek | ||
| Lodoiska | ||
| Dussek, Sophia Giustina | ||
| Trois sonates pour calvecin ou forte-piano avec accompagnement de violon |
| Eichner, Maria Adelheid | 1780 | |
| Zwölf Lieder mit Melodien für Klavier | ||
| Engelbronner, Nina d' | 1797 | |
| Deutsche, italienische und französiche Gesänge mit Begleitung des Pianoforte | 1806 | |
| The Woodland Hallò | 1806 | |
| Weep no more | ||
| Essex, Margaret | 1796 | |
| Three Sonatas for the piano forte with an accompaniment for a violin and libitum | ||
| Fedele, Diacinta, Romana | 1628 | |
| Scelta di villanelle napolitane bellissime con alcune ottave sciciliane nove, con le sue intavolature di guitarra alla spagniola | ||
| Fitzgerald, Mrs. Edward | ||
| I remember | ||
| Ford, Ann | c1761 | |
| Lessons and Instructions for playing on the guitar | 1761 | |
| Instructions for playing on the muscial glasses | ||
| Fricker, Anne | ||
| Fading Away | ||
| Frotta, Judith | 1825 | |
| Fantasie pour la Guitarre sur le duo de Mr Paer Quel sepolocro che racchindo | ||
| Gambarini, Elisabetta de | 1748 | |
| Lessons for the harpsichord, intermix'd with Italian and English songs | 1748 | |
| Six sets of lessons for the harpsichord | 1750 | |
| XII English and Italian Songs, for a german flute and thorough bass | ||
| Gannal, Therese | ||
| Methode complete pour harpe | ||
| Gardell, Amélie | 1800 | |
| De ce ruisseau. Romance | ||
| Gentry | ||
| IIe Recueil de chansons avec accompagnement de guitarre par musique & par tablature | ||
| Georgeon, Henriette | 1815 | |
| La Caprice | 1805 | |
| La Pauvre barde. Romance | ||
| Gieseguth, Eleonora Friberife | ||
| Musical Works | ||
| Gizycka, Ludmilla | ||
| Aus der Heimath | ||
| Goubau d' Hovorst, Leopoldine | 1813 | |
| Caprice for le piano forte … œuv 9 | ||
| Sonate pour le piano-forte… œuv 16. | ||
| Variations pour le piano-forte sur la cavatin "Il mio Vissett" tirée de l'opéra Le due burle de Joseph de Roesler | ||
| Gougelet, Pierre-Marie, de | 1774 | |
| Méthod ou brégé des regels d'accompagmement de clavecin | ||
| Gretry, Lucile | 1786 | |
| Le Marriage d' Antonio | 1713 | |
| Grimani, Maria Margherita | ||
| La visitazione di Santa Elizabetta | 1713 | |
| Caromic Ben: Österreichische National bibliothek, Wien | ||
| La Decollazione di S. Giovanni Battista | 1715 | |
| Pallade e Marte | 1713 | |
| Guest, Jane Mary | ||
| Six sonatas for the Harpsichord or Piano Forte, with an accompaniment for a Violin or German flute | 1783 | |
| Guglielmi, Peter | ||
| Six Sonatas for the Harpsichord or Piano Forte | ||
| Hamilton, Lady (dedicated to) | ||
| Alfin du laccie tuoi - no composer | ||
| Hannam, Louisa | ||
| The Saturn Waltz | ||
| Hardin, Elisabeth | ||
| Six Lessons for the harpsichord | 1770 | |
| Hawes, Maria B. | ||
| When First I Heard the Convent Bell | ||
| Heinel | ||
| A Collection of Minuets in which is that favourite one danced by | ||
| Henocque, A. | ||
| Fleur des Champs | 1840 | |
| Hoffmann, J. | ||
| A Duett, for the Harp & Piano Forte, or Two Harps | 1801 | |
| In yonder vale | 1795 | |
| Six duetts for two performers on one piano forte | 1801 | |
| Three Duetts, the First for Two harps, or One Harp, and one Piano-forte, the other Two for Two Performers on one pianoforte | 1795 | |
| Ye Britons be bold | 1795 | |
| Horn, C. E. | ||
| The Banks of Allan Water | ||
| J.M.A. | ||
| The Queen! The Queen! | ||
| Jacquet de la Guerre, Elisabeth-Claude | ||
| Sémélé, L'ile de Delos, Le sommeil d' Ulisses | 1707-1715 | |
| 4 Sonatas a 3 parts - cover | ||
| 4 Sonatas a 3 parts - Sonata I | ||
| 4 Sonatas a 3 parts - Sonata II | ||
| 4 Sonatas a 3 parts - Sonata IV | ||
| Bibliothéque Nationale I | ||
| Bibliothéque Nationale II | ||
| Pieces de clavencin qui pruvent se Jouer sur le Viollon | ||
| Cephale at Procris | ||
| Recueil d'airs serieux et a boire, de differents auteurs - excerpt from Céphale et Procris, "Les Rossignols dès que le jour commence" p83 | 1721 | |
| Pieces de clavencin qui pruvent se Jouer sur le Viollon | 1707 | |
| Sonatas pour le violon et pour le clavecin | 1707 | |
| Kauth, Maria Magdalena | ||
| Danses Des Muses | 1780-1790 | |
| Gemälde der Natur | ||
| Kerby, Caroline | ||
| Rhondo | ||
| Kourakin, Nathalie de | ||
| Humble Cabane, Romance | c1815 | |
| Romance de Florian | 1796 | |
| Labaillive | ||
| Ariette - "Ah! qu'une femme est à plaindre | 1780-1790 | |
| Lackner, de | ||
| Second set of siz original German waltz's | 1800 | |
| Laschanzky | ||
| Concerto à 5 | late 18th century | |
| Le Brun, Francesca | ||
| Six sonatas for Harpsichord or Piano, with accompiament for a violin | ||
| Six sonatas for the piano forte or harpsichord with accompanyment for a violin Op.I | 1778 | |
| Six sonatas for the piano forte or harpsichord with accompanyment for a violin Op.II | 1778 | |
| Le Dhuy, Adophe | ||
| Nocturne Espagnol | ||
| Lindsay | ||
| Excelsior | ||
| Polaski | ||
| The Bridge | ||
| Maude | ||
| Longden, Mrs. Charles | ||
| Galop Militaire | ||
| L'eclair Galop | ||
| Lubi, Marianne Grasen zu Mömpelgard | ||
| Leonardo und Blandine - ein Melodrama | ||
| Östreiche Fama - Eine Kantate, Fama, und die Genien Oestreichs | ||
| Zwölf neue deutsche Lieder für Kalvier | ||
| Luffman, Atterbury | ||
| Say Why a Blush o'er-spreads the Rose |
| MacDowell, Edward | |||
| Traumerei | |||
|
|||
| There is Light Behind the Cloud | |||
| Maddalena, Archduchess | |||
| Salve regina à Tenore solo con Org. e Violone | 18th century | ||
| Mara, Gertrude Elisabeth | |||
| High Rolling Seas - a favorite Air | 1797 | ||
| Say can you deny me - a favorite Air | 1798 | ||
| Maritnez, Marianna von | |||
| La tempestà | 1788 | ||
| Ei sgombrera quel duolo | |||
| Cosi consolo almeno | |||
| Marshall, Mrs. William | |||
| Hark! The Merry Bells are Ringing | |||
| Martines, Marianna von | |||
| Cosi consolo almeno | 1769 | ||
| Ei sgombrera quel duolo | 1770 | ||
| la tempesta | |||
| Il Consiglio [Cantata] | 1778 | ||
| Il Primo Amore [Cantata] | 1778 | ||
| Isacco Part | 1782 | ||
| Quemadmodum desiderat cervus "Come le limpide onde" Salmo XLI | |||
| Salmo CIX | |||
| Salmo L | |||
| Mattei, Beatrice | |||
| Sonata per Cembalo | |||
| Ménetou, Francoise-Charlotte de Sennterre | |||
| Airs Serieux a Deux | 1691 | ||
| Merelle | |||
| Les folies d'Espagne | 1800 | ||
| Petites piéces pourr le harp. | 1800 | ||
| Miare Antoinette, Queen of France | |||
| Song in the Autograph of Marie Antoinette | |||
| Miles | |||
| The Bonnie Wee Wife | |||
| Millard, Mrs. Philip | |||
| I prithee give me back my heart | |||
| Molay, Jacques de | |||
| Romance (cover only) | |||
| Mudie | |||
| Piacque al cielo. A Canzonetta | 1830 | ||
| Müllner-Gollenhofer, Josepha | |||
| Sinfonia | |||
| A Collection of Celebrated Marches and Quick Steps for the Piano Forte, Flute and Violin composed by Countess of Balcarras | |||
| Major, Tytler | |||
| The Elgin Fencibles Grand March and Quick Step | |||
| Muschet, Geo | |||
| The Stirling Volunteers March | |||
| A Second Selection of the most approved Highland Strathspeys, Country Dances, English and French Dances | |||
| Hackjart | |||
| The original reel of Tulloch | |||
| A Selection of the most approved Highland Strathsperys, Country Dances, English and French Dances | |||
| Hackjart | |||
| page 36 with The Ball/ Aldrige Favorite Hornpipe/ Strathspey | |||
| Musikbeilage der Neuen Zeitschrift für Musik. | |||
| MacDowell, Edward Alexander | |||
| Träumerei aus Wald Idyllen | |||
| Nascinbeni, Maria Francesca | |||
| Canzoni | 1674 | ||
| Norton | |||
| Juanita | |||
| The Fairy Bells | |||
| They Bid Me Forget Thee | |||
| Orme | |||
| Mary Jamieson | |||
| Oh! Maid Unloving But Beloved | |||
| The Lady of the Sisters | |||
| Osborn, Charlotte | |||
| Il mio tesoro | |||
| Papvoine | |||
| Le Cabriolet | 1756 | ||
| Paradiser, Maria Theresia von | |||
| Quartett | 1795 | ||
| Quintett | 1829 | ||
| Zwōlf Lieder auf ihrer Reise in Musik gesetzt | 1786 | ||
| Park, Maria Hester | |||
| A Concerto for harpsichord or piano | 1795 | ||
| Set of 6 Glees | 1790 | ||
| Title page, index and subscriber list | 1790 | ||
| No. 37 Now the bright morning star | 1790 | ||
| No. 38 Under the greewood tree | 1790 | ||
| No. 39 Breathe soft ye winds | 1790 | ||
| No. 40 Go tell Amnyta | 1790 | ||
| No. 41 By shady woods | 1790 | ||
| No. 42 Dirge in Cymbeline) To fair Fidelia's grassy tomb | 1790 | ||
| Sonatas for the harpsichord or piano forte | 1785 | ||
| Three Sonatas for the harpsichord or piano forte | 1790 | ||
| Pellegrini Celoni, Anna Maria | |||
| Grammatica o siano regole di ben cantare … op.6 | 1810 | ||
| Philharmonica | |||
| Sonate a due violini col violoncello obbligato e violone o cimbalo | 1715 | ||
| Pinel, Julie | |||
| Nouveau recueil d'airs sérieux et à boire, à une et deux voix, de brunettes à 2 dessus, scène pastorale et cantatille avec accompagnement | 1737 | ||
| Ringelsberg, Mathilde | |||
| Faschings-Funken | |||
| Roberts | |||
| Faugh-a-Ballagh-Gallup | |||
| Schaden, Nanette von | |||
| Concert pour le piano-forte avec l'accompagmement de deux violons, deux hautbois, cors de chasses, alte & basse | |||
| Schauff, Marie | |||
| Die Kraft im Gebeth | |||
| Shelton | |||
| The Land Which No Mortal May Know | |||
| Shelton, Mrs. Henry | |||
| The Sailor's Grave | |||
| Sheridan, Louisa | |||
| The Bride of Erin | |||
| Sirmen, Maddalena Laura | |||
| 6 Trios | 1774 | ||
| Six concertos for the harpsichord or piano forte | 1773 | ||
| Six sonatas a deux violins | |||
| Trois Concerts | 1772-1773 | ||
| Smallwood, William | |||
| Sunny Hopes: Music said to have been played at the execution of Mary Queen of Scots | |||
| Smith | |||
| Raise Issabel Those Soft Dark Eyes | |||
| Stecher, Mariano | |||
| Gran Sonata | |||
| Stein, Henry | |||
| Divertimenti di Salone, A Series of Admired Itialian Airs | |||
| Stewart | |||
| Bobbing Around | 1860 | ||
| Stirling, Magdalene | |||
| Twelve Tunes | 1796 | ||
| Strozzi, Barbara | |||
| Sacri musicali affetti | 1655 | ||
| Szymanowska, Marie Agata | |||
| Sérénade pour le pianoforte avec accompagnement de fioloncell… | 1820 | ||
| Tirinazi, Nannette | |||
| Huit Variations sur l'air "Quand l'amour naquit à Cythère" | 1800 | ||
| Valentine, Ann | |||
| Ten sonatas for the piano forte or parpsichord with an accompaniment for the violin or german-flute | 1789 | ||
| Sonata III Part for Violin | |||
| Vielanda, Mengia | |||
| Ovretta musicale chi consista in certas canzuns sprituales da diversa materia et in diversas melodias, a glorificatiun dil Nom da Dieu MDCCLXIX | 1769 | ||
| Volkonskaya, Zinaida | |||
| Cantata à la mémoire d'Alexandre Premier | 1865 | ||
| Walpole | |||
| Tis Not Too Late | Feb. 8 1866 | ||
| Walpurgis, Maria Antonia | |||
| Il Trionfo Della Fedelta, Baxerische Staatsbibliothek München | |||
| Talestri | 1675 | ||
| Waylett | |||
| My Own Green Isle | |||
| Westenholz, Elanore Sophie Maria | |||
| Concerta | |||
| Das Glücke der Liebe (littera R 5508) | |||
| Das Glücke der Liebe (littera R 5508) - cantabile | |||
| Book excerpt with portrait | |||
| Sonate à quatre main pour le piano-forte | |||
| White, F. | |||
| The Rose | |||
| Wilhelmine, Sophia Fridericke | |||
| Concerto a Cembalo Obligato duoi Violini, violetta, and Bass | |||
| L'Huomo. (Cod. Guelf. 66 Music HandShrift) | |||
| Woldersleben, Juliane Charlotte | |||
| Die Umstimmung der Misstöne des widrigen Schiksals der leidenden Juliane Charlotte Woldersleben in XVI Gesänge am Piano Forte von ihr selbst in Music gesezt. | 1792 | ||
| Worthington, J. Bliss. | |||
| Too Late, Too Late: Sacred Song | |||
| Zepharovics, Teresa Maria | |||
| VI Ariette Italiane | c1795 |